Och så skenet, annars är det inte värt det
Through fragments of images and text, the artist enters into a dialogue with the worn boiler room at Konstepidemin. Guided by her own system of rules, she constructs a narrative that questions truth, subjectivity, and the nature of evil. Loosely inspired by P.O. Enquist’s The Downfallen Angel (1985), the installation invites the viewer into a chaotic yet contemporary reflection on human nature, without offering clear answers.
Pannrummet, Konstepidemin, Gothenburg Sweden 2016